Concept
概念策划
Exhibition Deisgn
展览设计
Interactive Design
交互设计
C3 指令 控制 交流 实验性交互展览设计
Command Control Communicate
总策划：
Xiong Yanze
参展艺术家 ：
Phillip Jay Veech (俄罗斯 美国）
Akriti Kurana （印度）
Jose Garcia Oliva （委内瑞拉 西班牙）
George Dutton （英国）
Wang Luqitiao（中国）
Siddhi Gupta（印度）
Mu Ping（中国）
展览主视觉：
Phillip Jay Veech
George Dutton
PR：
Akriti Kurana
Mu Ping
Siddhi Gupta
摄影：
Wang Luqitiao
Akriti Kurana
Xiong Yanze
布展：
Jose Garcia Oliva
场地协调：
George Dutton
场地提供：
Walmer Yard
特别鸣谢：
Neville Brody
我们不断地被标志、信息和命令轰炸；我们被告知火车来时不要越过黄线，不要踩到草地或触摸艺术品，我们被教导要遵守规则。我们遵守社会价值观，创造社会规范，利用羞耻和惩罚作为惩戒越界人士的工具。我们总是被设计成符合标准的。我们周围和我们内部的一切都以预定的顺序存在。没有什么是新的。
展览包括8位艺术家和设计师的嵌入式装置艺术作品，交互设计作品以及行为艺术表演组成。由著名建筑设计师Peter Salter，以及Fenella Collingridge共同设计的实验性空间Walmer Yard 为地点，他们的目标是通过颠覆和受控模拟的旅程来突出和扰乱潜意识的行为周期。
We are constantly bombarded with signs, messages, and commands; we are told not to cross the yellow line when a train is approaching, not to step on the grass, or touch artwork. We are taught to follow the rules. We adhere to social values, create social norms, and use shame and punishment as tools to discipline those who cross the line. We are always programmed to conform. Everything around us and within us exists in a predetermined order. Nothing is new.
The exhibition consists of embedded installations, interactive design works, and performances by eight artists and designers. Set in Walmer Yard, an experimental space designed by renowned architects Peter Salter and Fenella Collingridge, their goal is to highlight and disrupt subconscious behavioral cycles through subversive and controlled simulated journeys.
每位观众有10分钟的时间进入到艺术家和设计师营造的四层楼的场域中，进行一场探索。过程中不时会有身份不明的人员尾随全程拍照录像。参与者有在规定时间内自由探索的权利，每一个角落都可能正在发生一些什么。当参与者最终走到顶层的房间时，会发现所有自己的行为和反应都被记录在顶层监视大屏幕中。所有真实的反应，所有被控制和未知的认知，都在探索的过程中，一一展开。
Each visitor has 10 minutes to explore the four-story space created by the artists and designers. Unidentified individuals will occasionally follow and film the entire process. Participants are free to explore within the allotted time, and every corner may be filled with something happening. When participants finally reach the top floor, they discover that all their actions and reactions are being recorded on a large surveillance screen. All authentic reactions, all controlled and unknown perceptions, unfold one by one during the exploration.
